(Click here for download details)
A free, fun, and kind of quirky, monophonic synth.
To download this freebie, you must register for a user account at www.fxpansion.com, then once logged in, go to Support->Account, and it should be available there for you to download (as well as their freebie synth, Orca).
A one trick pony, and kind of silly, but it may be useful in some instances, and heck; IT’S FREE!
(click here for download info)
A free, band limited version of the EQ Rangers. Definitely worth a look/listen, though you may find yourself hooked by this “tease” into buying the real deal.
Occasionally, you may want to work on a project that includes audio from other sources. It may be a commercially available song, or audio track(s) from an internet collaborator, or any number of other sources.
The question then arises; how do you determine the tempo of the audio track(s) provided if it is not provided by the author of the media, and the information is not embedded in the file and available in the Pro Tools Workspace?
My first recommendation is to request the information from the media’s author. If, for some reason, they cannot provide you with that information (if it’s a collaborator, they should be able to provide this information) or you are in some way unable to obtain it, the following tutorial should help you determine the tempo in Pro Tools. You are going to need to know at least what meter the music is in, however, but most people can do that just by listening to the music in question.
At this point, you have determined what the tempo is for the selection that you made, and Pro Tools has both inserted it into the timeline for you and moved the song start marker to the first downbeat you selected (also inserted a meter change even if it is not different from the session default). You can now un-mute the click track and check the tempo of the click against the audio. If it does not match, you have done something wrong; either with the selection of the measure(s), or with the time signature selection, or both and you will need to undo and correct.
Many times, especially when music has been recorded to a strict click/metronome, this will be the only thing you have to do as the rest of the song will be at the same tempo as you detected. However, if the original performer didn’t use a click/metronome, and/or the click/metronome from the recorded audio is too far out of sync with the Pro Tools click/clock, or if there are tempo or meter changes within the song, then you will have to go through the song measure by measure and repeat the process. You will need to make sure that when continuing, you not only make sure you make the selection (don’t just select the grid, because that isn’t going to work) and that you indicate on the identify beat window what measure the start and end point is.
From the Flux website:
“Turning the central button on the sweet side, decreases the transients amplitude. On the bitter side, the transients amplitude is magnified. Bitter-Sweet also features a control for the signal to be processed. When the main position is engaged, the process affects the stereo signal. If Center is engaged, only the M signal of the internal MS matrix is processed. If stereo is selected, only the S signal from the MS matrix is processed. Three transient detection modes can be selected. A varying period of integration for transients can be accessed. A Link function is available to compensate the output gain regarding the transient processing setting.”
From the Flux website:
“Stereo Tool features ultra precise controls of input gain and individual pan for left and right channels. A phase inverter is available for each channel. A global stereo pan and a stereo width settings are also implemented to complete the management of the stereo signal.
Stereo Tool also offers an accurate visual feedback reflecting the signal content. A vector scope display, PPM meters for both inputs and outputs, and a phase correlation meter permanently monitor the signal. “
Coming Soon!
This is a hotly requested tutorial, but because there are several different ways to use Strike in Pro Tools, I am going to separate it into parts.
To understand this topic, you need to understand the different play modes of the Strike interface. MIDI notes can be used to trigger Strike in two different ways; one that triggers drum patterns (pre-recorded beats; Style mode), and one that triggers drum sounds (individual drums; Kit mode).
If you want to play the sounds in Strike using electronic MIDI drums, or a MIDI keyboard controller to create your own beats, you would want to use Kit Mode.
If you want to play (trigger) the pre-recorded beats in Strike (basically MIDI loops), using a MIDI controller (keyboard or drum pad trigger), you would want to use Style mode.
If you don’t have a MIDI interface, and you aren’t comfortable penciling in notes on the track with the pencil tool, you can also still play the patterns using the Strike interface and the mouse, but you will have to record the audio output of your performance directly to an audio track, or play the patterns every time.