Massey De:Esser

Posted by spkguitar | Audio, Free Plug-Ins, Mac, PC, RTAS | Wednesday 1 July 2009 3:24 pm

The De:Esser is exactly what it says, and what you think it is.

(Click here for download info) Massey Deesser

Limitations of the freebie:

  • No Multi-mono support
  • No Session-restore functionality (you have to re-set it everytime you open a session)
  • No Save-and-restore functionality (can’t save presets)
  • No Automation

All of these limited features of the free version are available in the full, paid version, which at the price ($79) is really worth it. It still works great as the demo, though, which is why it is listed here.

FXPansion Orca

Posted by spkguitar | Free Plug-Ins, Instruments, MAC, Mac, PC, PC, RTAS, VST | Wednesday 1 July 2009 3:15 pm

(Click here for download details)

A free, fun, and kind of quirky, monophonic synth.

FXPansion ClapOMatic

Posted by spkguitar | Free Plug-Ins, Instruments, MAC, Mac, PC, PC, RTAS, VST | Wednesday 1 July 2009 3:07 pm

clapomatic To download this freebie, you must register for a user account at www.fxpansion.com, then once logged in, go to Support->Account, and it should be available there for you to download (as well as their freebie synth, Orca).

A one trick pony, and kind of silly, but it may be useful in some instances, and heck; IT’S FREE!

Brainworx bx_solo

Posted by spkguitar | Audio, Free Plug-Ins, Mac, PC, RTAS | Tuesday 30 June 2009 1:24 pm

Brainworx bx_solo

bx_solo

(Click here for download info)

A nice free M/S tool! Very useful!

SPL Free Ranger

Posted by spkguitar | Audio, Free Plug-Ins, MAC, Mac, PC, PC, RTAS, VST | Tuesday 7 April 2009 6:56 pm

SPL Free Ranger

SPL Free Ranger

(click here for download info)

A free, band limited version of the EQ Rangers. Definitely worth a look/listen, though you may find yourself hooked by this “tease” into buying the real deal.

How to determine the tempo of pre-recorded audio with Pro Tools

Posted by spkguitar | Basic, How To | Friday 27 June 2008 3:08 pm

Occasionally, you may want to work on a project that includes audio from other sources. It may be a commercially available song, or audio track(s) from an internet collaborator, or any number of other sources.

The question then arises; how do you determine the tempo of the audio track(s) provided if it is not provided by the author of the media, and the information is not embedded in the file and available in the Pro Tools Workspace?

My first recommendation is to request the information from the media’s author. If, for some reason, they cannot provide you with that information (if it’s a collaborator, they should be able to provide this information) or you are in some way unable to obtain it, the following tutorial should help you determine the tempo in Pro Tools. You are going to need to know at least what meter the music is in, however, but most people can do that just by listening to the music in question.

  1. Create a new session at the sample rate and bit depth at which you want to work. You might also want to set the meter, but that is not really necessary at this point.
  2. If Pro Tools is not set to automatically create a click track in new sessions, add a click track.
  3. mute the click track (for now)
  4. Make sure that the tempo ruler is visible (View->Rulers->Tempo)
  5. Make sure that the "Tab to Transient" feature is enabled.
  6. Make sure that the transport is set to "Loop Playback" (this makes it easier to determine that you have a proper measure selected later)
  7. Make sure that the preference for "Drag and Drop  from the desktop conforms to session tempo" (Setup->Preferences Processing tab) is not set to "All Files" and that the audio file that you are importing is not a REX or ACID file.
  8. Create a new audio track in your session of the appropriate type to match the imported file (stereo for stereo, mono for mono)
  9. Make sure that the track is set as sample based, not tick based.
  10. Make sure that the track has any elastic audio turned off.
  11. Drag and drop the audio file you are importing onto the new track
  12. Playback Pro Tools to make sure you can hear the audio track
  13. Determine, by listening, where the downbeat of the first measure of the imported track is.
  14. Place the protools cursor just before that point and press the tab key. Pressing the tab key should place the cursor exactly on the downbeat of the first measure (If not, you need to manually manipulate the cursor so that it is exactly on the downbeat of the first measure)
  15. Press and hold the "shift" key and press tab again to select from the first downbeat to the next detected transient. Repeat this process until you have one or two full measures selected. Pressing play while loop playback is selected will loop over this selection and allow you to make sure that the selection is made properly and is "in time". (If it isn’t, you will have to manually adjust the selection in slip mode. You should definitely know how to manually adjust a selection before trying this procedure :)  )
  16. Once you have made the selection properly, and are sure that it is looping in time to the tempo of the prerecorded song, open the Identify Beat window (ctrl + I)
  17. On the identify Beat window, you need to set the start location at 1:1:000 (since you selected the very first downbeat of the very first measure) and set the Time Signature to the value that it should be for the song you imported (4/4, 3/4, 6/8, etc), then set the End Location to whatever measure you selected to (if you selected 1 bar, then it would be 2:1:000, if two then 3:1:000), and make sure you select the same time signature as before.
  18. Press "OK"

At this point, you have determined what the tempo is for the selection that you made, and Pro Tools has both inserted it into the timeline for you and moved the song start marker to the first downbeat you selected (also inserted a meter change even if it is not different from the session default). You can now un-mute the click track and check the tempo of the click against the audio. If it does not match, you have done something wrong; either with the selection of the measure(s), or with the time signature selection, or both and you will need to undo and correct.

Many times, especially when music has been recorded to a strict click/metronome, this will be the only thing you have to do as the rest of the song will be at the same tempo as you detected. However, if the original performer didn’t use a click/metronome, and/or the click/metronome from the recorded audio is too far out of sync with the Pro Tools click/clock, or if there are tempo or meter changes within the song, then you will have to go through the song measure by measure and repeat the process. You will need to make sure that when continuing, you not only make sure you make the selection (don’t just select the grid, because that isn’t going to work) and that you indicate on the identify beat window what measure the start and end point is.

Flux Bittersweet II

Posted by spkguitar | Audio, Free Plug-Ins, Mac, PC, RTAS | Wednesday 14 May 2008 1:40 pm

Bittersweet II Click Here for Download Info

From the Flux website:

“Turning the central button on the sweet side, decreases the transients amplitude. On the bitter side, the transients amplitude is magnified. Bitter-Sweet also features a control for the signal to be processed. When the main position is engaged, the process affects the stereo signal. If Center is engaged, only the M signal of the internal MS matrix is processed. If stereo is selected, only the S signal from the MS matrix is processed. Three transient detection modes can be selected. A varying period of integration for transients can be accessed. A Link function is available to compensate the output gain regarding the transient processing setting.”

Flux Stereo Tool

Posted by spkguitar | Audio, Free Plug-Ins, Mac, PC, RTAS | Wednesday 14 May 2008 1:33 pm

Flux Stereo Tool Click here for download info

From the Flux website:

“Stereo Tool features ultra precise controls of input gain and individual pan for left and right channels. A phase inverter is available for each channel. A global stereo pan and a stereo width settings are also implemented to complete the management of the stereo signal.

Stereo Tool also offers an accurate visual feedback reflecting the signal content. A vector scope display, PPM meters for both inputs and outputs, and a phase correlation meter permanently monitor the signal. “

How to use BFD2 in Pro Tools

Posted by spkguitar | How To, Softsynths | Thursday 3 April 2008 12:14 am

Coming Soon!

What is Digidesign/Air XPand!

Posted by spkguitar | What Is... | Wednesday 2 April 2008 3:07 am

XPand! is a free virtual instrument plugin provided by Digidesign with all new Pro Tools LE systems. If you already have a Pro Tools system, it can also be obtained for free from your local retailer (if they have them in stock, which unfortunately, they probably don’t) and also from the Digistore for only the cost of shipping the disk to you ($10, and completely worth it in my opinion).

The plugin functions as a standard MIDI sound module, with a multitude of standard sounds built in.

There are 28 categories of patches in Xpand, with 1177 patches in all, with the ability to blend the presets and individual sounds and make your own patches.

Click here for a list of the category patches in the XPand! plugin. Click on the patch category for a list of patches.

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